RECENT BLOG POSTS
Disney is accused of refusing to pay royalties to Alan Dean Foster in a move that could ultimately affect all published authors, prompting widespread calls that #DisneyMustPay.
Foster wrote the first ever Star Wars novelization, released six months before the initial movie. Star Wars: From the Adventures of Luke Skywalker was based on a screenplay written by George Lucas and its his name that graced the front cover. But Alan Dean Foster wrote the book, which is still in print, and he received royalty checks for it right up until the point that Disney acquired Lucasfilm. Then the checks stopped coming.
Back in the 1970s, Foster was contracted to write a sequel to that first tie-in, working from far less material this time. George Lucas wasn’t entirely sure at that point how successful Star Wars would be and, crucially, how much of a budget he would have to play with – which placed limitations on the kind of story Foster could write. For example, Lucas instructed Foster to keep Han Solo out of the story, because Harrison Ford had not signed on for a sequel yet.
Further writers were hired as the Star Wars franchise grew in popularity and scope, and Alan Dean Foster continued to establish his name. He worked on numerous media tie-ins for franchises like Star Trek, Alien, Transformers, Alien Nation, and Terminator, a whole plethora of standalone novelizations for movies like Krull, The Thing, Clash of the Titans, and The Last Starfighter, and also his own original novels like the Spellsinger series and the many Humanx Commonwealth books. More recently, he returned to the Star Wars universe to write the novelization of The Force Awakens.
In other words, this isn’t some unknown or inexperienced author that Disney is pushing around. But what is Disney playing at? Read More…
Figuring out how to sell books in 2020 means facing a pair of imposing challenges : the multiplying complexity of book marketing and — speaking of things rising exponentially — the global pandemic, which has led to lockdowns, recessions, as well as no small amount of tragedy.
And I want to focus on that second challenge for a moment — before we dive into all the ways that you can get your books into readers’ hands — because there is something rather different about this year.
Writers are generally quite fortunate in that they can work from home and sell books online and, for the moment at least, the digital side of the publishing business looks less exposed than the physical end.
Indeed, retailers and distributors are reporting a boost in ebook sales, and freebies in particular seem especially popular. Anecdotal reports concur, and also seem to confirm that there has been a surge in new entrants to the ebook market — which makes sense when people are stuck at home or less inclined to go browsing in meatspace, for painfully obvious reasons. Read More…